False Gods: How to Create Conflict and Suspense
I'm reading books on story structure and having a number of new thoughts lately.
From my cousin Greg in Texas: "I’m more a mystery and sci-fi kinda guy but the summary sounds interesting enough. You really need to capitalize on the first three words of the summary. That’s quite a funny lead in the novels title. No doubt intended. Sounds like fun to work on."
My response:
Gracias. :)
Yes, it's instant conflict to be the first atheist in a world full of "gods," most of whom take offense at being told off! The main character gets his own set of powers, so can successfully oppose them. Some of the same issues come up as in T. H. White's "The Sword and the Stone," namely whether might can be used in the service of right. Self-obviously (to me), might alone does not make right, though it may impose a twisted sort of order. This theme, along with order versus chaos, law and civilization versus anarchy, is key to why I can still enjoy (well-done) superhero comics.
Khamaat, the protagonist, is quite offended that a bunch of people with superhuman powers are claiming to be omnipotent, ominiscient, omnibenevolent, etc., and sets out to oppose them. The counterbalance to him is the love interest, who also develops powers, but is not quite ready to throw the baby out with the bathwater yet when it comes to belief. So they have a lot of conflict themselves even as their attraction develops.
The antagonists are a lot of fun to write, too. The main adversary of the god Set, for instance, is Machiavellian, sneaky, suave, and with irritatingly good points sometimes. Set was part of the royal family and was their strategist before being exiled into the desert for wanting to marry his sister, Isis. See, his brother Osiris got to marry Isis instead...
( Read more... )